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|Metropolitan Cathedral of Saint Mary of the Assumption|
|Duomo di Siena (Italian)|
|Style||Italian Gothic, Romanesque, Classical|
|Length||89.4 metres (293 ft)|
|Height||77 metres (253 ft)|
|Archdiocese||Archdiocese of Siena-Colle di Val d'Elsa-Montalcino|
|Official name||Historic Centre of Siena|
|Criteria||i, ii, iv|
|Designated||1995 (19th session)|
|Region||Europe and North America|
It was the episcopal seat of the Diocese of Siena, and from the 15th century that of the Archdiocese of Siena. It is now the seat of the Archdiocese of Siena-Colle di Val d'Elsa-Montalcino.
The cathedral was designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The dome was completed in 1264. The lantern atop the dome was added by Gian Lorenzo Bernini. The bell tower has six bells, where the oldest one was cast in 1149. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with the addition of red marble on the façade. Black and white are the symbolic colors of Siena, etiologically linked to black and white horses of the legendary city's founders, Senius and Aschius. There are thirty-five statues of prophets and patriarchs grouped around the virgin. The finest Italian artists of that era completed works in the cathedral. These artists were Nicola and Giovanni Pisano, Donatello, Pinturicchio, Lorenzo Ghiberti, and Bernini.